I record those too.
Either on a separate channel for send FX, or on the track itself if it’s an insert.
Easiest way - record dry. If delay or a reverb from the sound source is really, really an essential part of the sound (say p-locking and modulated FX on an Elektron machine) , use post scroll record in your DAW, or stop whatever sequencer you’re using while the DAW continues to record until delay / verb tails out. Then cut off tails and and stick on the end when arrangement is complete.
Really!?!?
Think like DJ, either a nice long crossfade using some EQ/Filter or throw an extra bit of reverb/delay on the end of the bit that’s cutting out.
Yeah, why not?
Simple. Another’s enjoyment doesn’t necessarily entail my enjoyment.
The continued success of Steve Aoki suggests yours is a minority point of view.
I’m more than used to being in the minority when it comes to many tastes.
Reminds me of the observation: " No one’s ever gone broke underestimating the taste of the American public."
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Steve Aoki is a cowardly hardworking insominiac, based on he probably multitracks and made a documentary titled “I’ll sleep when I die”
If that was me my stage name would be Steve A-OK! All he had to do was add a hyphen and invert the i - A missed opportunity perhaps.
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Wot wot