If I didn’t post up some other stuff, I would have tried a bit more, but the samples now grating to me now that I’ve listened to it in such minute detail. That’s the unintended consequence of chopping samples.
It’s like saying a word over and over until it sounds strange and loses its meaning.
It’s the law of averages with people who produce as much as us on these threads. I always remind myself that there are people who don’t even know how to do this at all, and I realize how amazing it is we have the will and opportunity to do this, together.
And if you think you had it bad, I pulled samples for the hip hop beat, and was going through Maschines effects. And compared to the 404, Maschine chops like butter!
I was playing with effects and everything, and I started making this wicked house beat just because that’s where it took me.
I spent a couple hours building it up with variations in different groups. And I copied the pad to do a variation.
The Maschine is wonderful, because when you chop and assign to pads, it doesn’t truncate the chop, and you can still adjust the start and end points, and have the whole sample there.
Well…. That pad I copied….
I didn’t copy the sample, and adjusted the start point, and LOST the loop that I built the entire track off of.
I spent another hour trying to find a loop that worked, and couldn’t get the beat to fit. Once I tried different tempos, it was a wrap. I scrapped two projects yesterday, and the second one was gonna make up for the first like @natehorn said.
But ultimately it’s a good experience. I’m learning so much about Maschine. I’m starting to feel comfortable where everything is and what it can do.
It really is better than the 404 in so many ways. It’s not just a sampler or a controller, but a whole production workstation. It’s amazing.