I should say the track is all the sample except for the lead piano stabs (and the bit at the start from the Jane Fonda video) - that piano is a random sample I pulled in that I intended to use as a placeholder but as this was a jamuary jam I didn’t end up dwelling on it for too long - I think you could swap that out for some choice sample chops or create a different lead sound that could work just as well from the material though I was just being lazy haha
I think I got a good sample for the next rotation.
I may be peppering this thread with more samples though as a repository for whatever I’m working on. I’ll keep the header and archive, but the thread may have a lot more sources in it.
At least references to sources since I can’t spread around samples I bought as a part of the multiple libraries I bought during my Black Friday buying spree.
I’ve been doing so many other challenges, and the provided samples, that I’ve neglected making things from the samples I already own.
I want to change that, and only do challenges that really resonate. At least for the next couple months.
I’ve said it elsewhere that I want to go with only my ears and gut for a while, but I still want to share the experience with others.
Eh, it’s slow going with my beat making. Little burnt out with school and weather.
But I got Debbie all arranged and found a nice kick to start the drum track.
I’m using “Wonderful World” by Brisk to reference how to get the drums in a Happy Hardcore way.
There’s still percussion in the chops, so I’ll also map them to try to compliment each other.
I think there’s some very abrupt changes in the arrangement that needs smoothing, so I will bounce Debbie and the drums separately to be able to make some more changes to each element in Logic.
This is going to take a bit longer, but once I get going, and get to add Pigments, the track will be FIRE.
I will say that this might have been a little more ambitious than I might be able to pull off…
Its the time stretching messing up the tempo in places… I feel like its not exactly 150bpm, and it drifts…
I got the drums in, but being sequenced, its hard to get everything to mesh…
Once I go through the process of adding bass in Logic with Pigments, Maybe I can get things smoothed out… if not, then this may just be an experience to be learned from.
Plus, I may need to take a break from samples… I have a new synth coming (PWN Malevonant!) and I want to make all original music for a while.
So unintended consequences is that I n ow have a killer drum track if I don’t tie them to the Debbie chops… I may play something over them as an exercise with the Malevolent.
But the tracks are bounced to Logic, for better or worse, so now its time for Pigments. I have to fix some transitions as well… this might just be a chimera.