I think it really depends on what sound you’re going for more than the genre itself. IMO, for more lofi “dusty” hip hop, the Digitone probably wouldn’t be the best use of $700. But, I’m a firm believer in making the gear work for you, not vice versa, so maybe it could be perfect for lofi if you bend it to your will! I think for more synthy styles it will be amazing. I plan to get one later on in the year. I had a Volca FM and I used it in quite a few hip hop productions. Some examples below
I was going for some hard-hitting, East coast-flavored ‘reality’ raps, in the vein of Alchemist, Mobb Deep, CNN, and Tragedy Khadafi–with neck-snapping snares, decrepit piano samples, static crackle, and artillery reports. But, ah, I don’t know if I could f*ck with the “Diggy” tone without completely alienating my crew… What, with those Fruity Pebbles candy buttons, Doogie Hauser bells, no song mode-havin’, Jerry Seinfeld bass interludin’ slap schpazz, and whatnot. It’d be corny a.f., not to mention those fizzy, Yamaha PSS-560-soundin “bass” bleats. Dunno if it’s a good look a.t.m., I gotta maintain some level of authenticity. It ain’t where you’re at, it’s where you’re from. Stay true to your hip hop roots, IMO
Really? I’d suggest listening to more hip-hop if this is how you think. An MPC and turntables does not make you hip-hop. Dr. Dre used all types of synths. Ever heard of Mantronix? “What synths are good for hip-hop?” seems like the least hip-hop question a person could ask imo.
Very appealing to me, i make chill out synth heavy hiphop beats like the one below.
Having the stereo thru on the digitone will be nice to plug the OP1 into!
I’m a big fan of using the DN+DT for HipHop, GlitchHop, etc.
I’ve been gigging and recording with this combo for the past year, I don’t plan on stopping anytime soon.
I don’t sample the Digitone into the Digitakt often, I like to play them both live.