The idea of a musical instrument being out of date is a ridiculously consumerist concept.
Well I just got my Analog 5 today, and the cowbell is much snappier than the old Analog 4
/ ok, I think the poor guy has got his answer.
I love so much that the is the signal for some joke or mischevious comment
I donât know man⌠Iâve been feeling like my old saxomophone is out of date cuz I have to blow air through it, and the presets suck. I need to get a new one with the dope wobble-bass presets.
So you detune 8 oscillators and subs, and then what?
Ok, point taken.
Dude, weâre just getting started!
Itâs not out of date depending on what you need. In honesty if you want a ton of voices and many way multi timbrality youâre probably better off going digital and buying something like an access virus TI which many people will similarly consider âout of dateâ and yet somehow is still great sounding and massively powerful.
I think the blofeld is a great complement to the A4. Small, great display, massive routing capabilities, and the grainy Waldorf sound really compliments A4âs.
If somethingâs out of date, it also means it wonât be long before itâs retro and thus even more cool.
So, the consensus seems that itâs not out of date and does crazy advanced stuff, but still just sell or trade the thing if you really just want to play chords, itâs all about wether you like it or notâŚ
The forum can bite the further down the thread you are if peolple donât read the whole thing and understand its your first synth and everything⌠No worries, be happyâŚ
Vangelis is one of my favorite musicians/composers. A huge influence on me. Whatâs amazing about his work is if you listen to his stuff from the 70s/80s, it still sounds futuristic even now.
And still alive ! My questions were ironical of course. I donât complain about my A4.
DT is already out of date before shipping with mono samples and 64MB RAM !
i love that
âAnalog Syntâ needs to happen! Same basic form factor as AK. But with:
- 8 voice poly.
- Bigger display.
- More dedicated parameter controls on the face panel. I hate the fact that the filter, amp and oscâs are separated.
- Sustain pedal input.
- Upgraded keybed. Needs a bit more weight.
- Analog overdrive and comp in the amp section.
- Priced below 1599 USD.
I also want a âDigisyntâ with:
- Resurrected Monomachine engines.
- 49 key keyboard.
- 12-16 voice poly.
- OB
- New effects including bitcrush and sample rate reduction.
Plus you could midi sync nanoloop to the A4, sent back through the A4âs reverb. it would be <3
Iâd like to add a small point to the overall discussion. Say you did trade the A4 for a DM12. Youâre still going to have to multi-track to get some of the layers you want⌠pads/bass/lead. Some of the most amazing tracks Iâve done with the A4 are multitracked. My stuff is decent, but this user I found here is a good inspiration to some of the textures you can get from multi-tracking the A4/AK. https://soundcloud.com/invisible-acropolis
well you can trick it a bit performance macro and amp level and osc level opposite
i guess you find a studio tour explaining video
those mechanical displays for instruments for program change are great