me too
MKI or MKII ?
Had an hour with OT arp into A4 multimap. Always forget what a pleasure this is. Sounds something like 4 dfams at once
mk1 4 life
I tried @estragon’s technique of abusing the polyphony settings via “use trk sound” and I feel like I can’t go back to making stuff that doesn’t sound utterly ridiculous.
well, most of everything else i got has to go for it, of course.
MKII since i always try to opt for future proof (and having warranty).
Too many of something is only too many if it starts to hinder the goal that motivated the multiple purchases in the first place.
You can have multiples of a thing and achieve the goal you set out on acquiring them, even if others looking in might consider it excessive.
That’s the beauty of hobbies / music production. You roll your own way.
Is 3 times the price of an MKI, which form factor suits DIGIs. You choose…
That’s not the whole picture when it comes to comparing used MkIs and MkIIs.
Plus my MkII fits perfectly with my Digis?
You can pick up black Mk2s with a couple of years warranty for less than 800 quid on eBay these days.
Which is what I did.
No-one likes a show off
I do
that’s the plan, just with Syntakt and Digitakt
Literally a £20 double monitor Vesa mount that clamps to my desk
BTW I am totally excited to hear the source of these magical £270 A4 MkIs in the same condition as my £800 MkII
I will absolutely buy one of those today to double my voice count
I’d say the OT isn’t even that deep, rather that it’s really wide. With the OT you have to rely a lot on effects, retriggering tricks, slices, LFOs, scenes, etc. which granted are quite powerful. But the A4 is both wide and deep with a deceptively simple set of components, so much interaction between them, and so many sweet spots and ways to navigate them. It has the fewest tracks of any post-Sidstation Elektron, which I think is what makes many people overlook it.
The beauty of fitting things that way