@darenager, be careful what you ask for, here’s five minutes of clicks
I dulled (and made snappy) a CR drum hit on the right channel, plock’d ‘accents’ twice a bar, and the SQ is only getting clock from OT which I do vary … started 90, ramped to 240, then down to 60 and back to 90
The SQ is MIDI following and it started in its ‘dynamic’ 1/16 tempo sync mode which equated at the current settings to twice per OT step (I’d meant to start 1/8 but do go to that next, and 1/4 and 1/32 etc) then along with occasional triplets toggling I dip in and out of all (individual per track btw) ‘rate’ settings a few times to see how it coped
It syncs just fine by me, but I’ll pop the mp3 up here and show a screen grab of a bar or so the file
Ot clock > SQ midi
SQ and OT(1 flex track) have 16 steps per bar, all steps on
The CV Gate-Out alone of the SQ goes into a Dark Energy which is directly monitored in the left channel
OT Mains simply recorded into a DR-100mkiii (mp3 was via osx)
It all reminds me that there’s a lot of fun in the OT and SQ64, but unlike some other gear, their depth is often a bottleneck (if out of practice) - the SQ64 has loads of options which isn’t always great - but it’s syncing very nicely imho and it could knock down a door if you lost your keys