Make sure you are using the dynamic out with the included cable and not the line out.
I see that the manual does note to use a TS mono cable when connecting to balanced inputs. Will pick one up.
āThe Line Output is the only output we recommend plugging into your audio monitoring system.ā
The dynamic out is 10vpp.
Ahh soā¦my mistake
Thatās how Iāve been using mine otherwise I had the same issue.
āI can get these sounds with Massive / Reaktor, I donāt need thisā
Keeping the GAS at bay with affirmations.
it sounds like sheās really maxing out her speaker(s) - canāt tell on this mac desktop very wellā¦ it adds an acoustic quality, some people would call it undesirable. itās kinda nice.
It sounds like something that took about 10 minutes to come up with. Calling it a āperformanceā is stretching it a bit.
I have a 0-coast but this was pretty awful. 8 mins of just messing with a couple parameters. no melodic changes or anything. so strange
I like it. Sure, itās nothing complex but I found it quite pleasant to listen to.
me too. Like the sound
been digging these Funk Tree workouts for drone-y, meditative 0-coastlines
thereās a good, driving pulse to it. it seemed a bit static, but iām enjoying it more on repeated listens. it sounds like sheās focusing more on the harmonics, though iām not sure how much of it is determined by those pedals.
Yeah I dont mind the sound in the video. Itās just more a patch demonstration than a live set!
hi
got my brand new 0-coast and itās very refreshing, a very new universe to explore for me!
I have a question : am I alone to find this synth seriously lacking in the high frequencies department? I have to severely EQ it to boost the high freqs when using a bass + overtones simple patch, so as to have it to match the overall mix of the trackā¦
Using higher pitches brings higher freqs but for basslines I feel a crude lack of brightnessā¦
Bass is huge on this beast, BTW, and has a lot of character, I love it so far
cheers
Raise the Overtones with the balance knob
And be aware that the dynamics is a low pass gate - so if it isnāt at 100%, some high cut filtering happens. It should be no problem to make the shrillest bass sounds.
This
cool track, thank you, now i want to have one too.
thanks, I didnāt know the low-pass-gate-dynamics-pot-thingie,
I think I had it fully open (CW) but Iām gonna check this tonight.
cheers
Hey dudes. Good thread.
I want to get into the modular world and extend what my ātraditionalā instruments can do - the MN Morphagene has blown my tiny little mind.
As a starting point - to get going - would something like the MN O Coast be a good investment? The sounds Iām hearing from it are killer, it seems to play nicely with the Octatrack, and I guess it can be expanded with ābigā eurorack modules as time / money allows. I really like the textural stuff it can do even more than the āstandardā modular arps/melodic patterns.