Yeah! If I remember right, you can even control the main (hard-wired) voice on one MIDI channel while controlling those two outs on another.
Yeah! And Slope too - at the same time, even!
Yeah! If I remember right, you can even control the main (hard-wired) voice on one MIDI channel while controlling those two outs on another.
Yeah! And Slope too - at the same time, even!
Yup - MIDI A normals to the gate & pitch of oscillator, MIDI B on separate MIDI channel to the cv/gate outputs just below it. Brilliant!
There are several ways to pull out another āoscillatorā - Loopop video shows them:
Also on the not got around to yet list - MPC Live 2 vs 0-coast, make some use of those 8x CV outs on the Live 2.
Yeah I will say the little gate envelope is great on the 0ctrl, great for really dynamic accents. I actually love stacking that onto the pitch cv for occasional little zap.
I considered getting an MPC One for exactly that purpose, though learning the workflow of a new (and complex) machine put me off it tbh.
I havenāt got to grips with this part yet if Iām honest
Another pairing Iāve been considering for my pair of 0-Coasts is the Subharmonicon, using the latter to generate paraphonic chords while sending out the sequences to the 0-Coasts to get the trio to play off each other. Gates and triggers cross-patched everywhere naturally. Even a DFAM would do the job. Or any semi modular with a built-in sequencer really. Maybe both Moogs
I think thereās a lot of power in pairing up the right semi modulars.
There are some interesting videos of Dreadbox Erebus & Nyx together, both playing separate sequences and as 4osc single voice.
(yes, also havenāt got around to trying this yetā¦ )
I can confirm the two together plus a Kraftzwerg II for percussive sounds and a 0-Coast wibbling out is one setup Iāve not been able to unpatch for a good 6 months or so (with an occasional Lifeforms SV-1 for bass drones from time to time). The 0-Ctrl really pairs excellently well with the 0-Coast too, and one way in particular that it scores over the otherwise inevitable and excellent SQ-1 for me is the touch pads allow for some wonderful playability.
But I havenāt tried Erebus + Nyx as a four-voice yet either!
That might be true, although I have yet to hear anything from it that the microvolt canāt doā¦ I think people donāt really show the poppy kinda Buchla sounds as much on the microvolt videos, but itās can do them really wellā¦ for some reason people just seem to try to make it sound like a 303ā¦ but thatās cool, the o-coast is phenomenal too.
That just seems likeā¦ a waste of a synth like the Microvolt?
Some 0-Coast science this evening ! Itās for you if you like the concept of the Subharmonicon but you have a 0-Coast
A Subharmonicon GAS remedy?! Iām in!
Love this.
Bookmarked for tomorrowās lunchtime study in between work sessions, thanks!
I think Iāve hit the point where I have to accept that, as amazing as it is, the 0-Coast simply isnāt for me; time for something more east coast (like a KARP Odyssey module, for example).
Just curious why youāre not feeling the 0-Coast?
I realised that I actually only use it for making odd percussive noises and donāt really have a use for the kind of synth sounds it makes. I tend to go for the classic east coast analogue sounds of Moogs and ARPs which really isnāt playing to the strengths of the 0-Coast whatsoever. Rather than fighting against its nature to make it into something it isnāt it seems more sensible to switch it out for something that does that naturally.
is Analog Four on your list?