But before releasing it I’d like to know if someone is using Overwitch with Analog Rytm MKII. There was a long time issue with the audio from the computer into the devices that has been addressed and this machine is the last one to be confirmed.
I am a Jack user on Windows and was sad that overbridge didn’t work out of the box
Is there an installation guide for windows users that includes dependencies / enviroments i need to preinstall? (or can someone get me some pointers on getting started? I looked at the github page but was a bit intimidated and only found linux installation guide )
This is something that is quite difficult for me as I neither have a Windows computer nor any idea about how to build an autotools project on it. Sorry.
If anyone knows or you manage to find out how, let us know.
There is no such thing as far as I know but it should be theoretically possible to compile the project for Windows.
The only caviat that I can see for now is that the project is using libusb and on Windows you would have to install a special driver instead of the official drivers from Elektron.
This would mean that your Elektron box would only be able to work with either the official Overbridge application or with Overwitch but not both, and you would have to reinstall the drivers if you want to switch.
You need to select Options and then List all devices. Chose your Elektron device, make sure that the WinUSB driver is selected and then press Replace driver.
Now, what this tells me that it should definitely be possible to run Overwitch on Windows, but it needs some tweaking. Platform-specific bits would have to be abstracted away and enabled with pre-processor options.
For the most part that seems to only be relevant for signals and endian-conversion code.
There was also some weirdness around the -DDATADIR='"$(datadir)"'macro definition and it caused the compilation to fail with a cryptic error message:
After giving it some thought, I think it should be possible to complete the project completely for Windows under MSYS2. All the dependencies exists as binary packages:
Thanks for your hard world, this tool es excellent in every way, also, the icon revamp feels really good
I have one question, though I’m in ubuntu studio, with bitwig 4.3 but i didn’t manage to get midi from/through the box, I am using studio controls (With a2jmidi activated) and raysession to manage connections.
Thanks for your hard world, this tool es excellent in every way,
Thank you very much! I’s a lot of work but it’s nice to see that it’s helpful for others.
also, the icon revamp feels really good
I have one question, though I’m in ubuntu studio, with bitwig 4.3 but i didn’t manage to get midi from/through the box, I am using studio controls (With a2jmidi activated) and raysession to manage connections.
A couple of questions regarding your setup. Probably obvious but I need to know.
What machine are you using? Depending on this, MIDI out is different. On the Syntakt, every track sends MIDI (I think); on the Digitakt, only the MIDI tracks send MIDI data.
Have you activated MIDI input in the settings menu? Clock, transport?
Have you checked that you’re using the right MIDI channels?
Sorry for my ignorance but how to update? Shall I uninstall the previous version and reinstall?
I’m using Manjaro and the previous package was aailable on AUR depot but the new hasn’t been pushed yet, maybe i should wait for that
I’ve never tried Arch but I think packages are compiled from sources so, uninstall the package to avoid messing with different installation paths. Then, there are 2 options.
Install from the sources, so you have to follow the README.md in the project.
Install from the packages available in GitHub. You won’t need all the dependencies but the ones for the run time libraries (libusb-1.0-0-dev, libjack-jackd2-dev, libsamplerate0-dev, libjson-glib-dev, libgtk-3-dev, libsndfile1-dev).
Let us know how you build this on Arch or create a PR to include the instructions so others will know how.
I don’t know whether this is expected behavior in the Syntakt or an Overwitch problem. Let me ask.
My DAW can pick the audio of all the tracks, and it works great. Well, actually not all the tracks. I have a MIDI track with a synth connected. The audio of the synth can be heard in Main, but there is no audio coming from this track. It would be great to be able to isolate the synth audio, just like the audio of any other track can be isolated.
To be clear, the “regular” tracks are already isolated in their respective channels, and they are received by the DAW in different tracks. It’s the MIDI track the only one that isn’t sending the audio to its channel (although the audio from this track makes it to the general Main).
I still can record the synth audio by playing the MIDI track, muting the rest, and recording the audio from Main, but it is of course a pain.
There is no audio coming from a MIDI track of course, MIDI tracks are only… well MIDI.
There should be dedicated channels for the external inputs of the Syntakt available in overbridge/overwitch, if you connected your synth to the inputs.
I misunderstood the original question. If you can hear your external synth via the main output then I’m assuming you have it connected to the input of the Syntakt - if that is the case then you have use the two “Input” ports in Jack/PipeWire to monitor your external synth.
@rtme@frekvencia yes, of course you are right and now that I understand the problem I can only say “doh”. Thank you, problem solved! The synth is connected to InputL, I set that input in the DAW, and of course it works.
I think this is my last question before considering my Overwitch setup complete (and again I’m not sure whether this is an Overwitch question or something more generic, sorry!):
The volume of the audio coming from the Syntakt seems rather low for all tracks:
Track 1 (kick) doesn’t go above -23.7 dB
Track 2 (snare) -24.7 dB
Track 3 (clap) -24.3 dB
… and so on
I’m not sure this is a concern or something that the user can change (other than pumping up the volume in the DAW and speakers, of course). I cannot find any way to send a higher volume signal by tweaking knobs in the Syntakt.
In short: The outputs are 24 bit so you can safely boost each track in your DAW to -12db or so for further mixing. The outputs are deliberately so low so in case of filter / distortion peaks there will be absolutely no (unintended) clipping.