Fill latch:
Press and hold [PAGE] + [YES], and then release [PAGE] before you release [YES] to latch FILL mode. Press [PAGE] again to unlatch FILL mode.
Fill latch:
Press and hold [PAGE] + [YES], and then release [PAGE] before you release [YES] to latch FILL mode. Press [PAGE] again to unlatch FILL mode.
It would be nice to use the chromatic mode to be able to assign one shot samples to every key. So you would be able to trigger more then 1 sample from a track easily.
Also an app for your phone where you could program stuff ahead which you sampled in the field and then send it to the DT.
At the end of the day all the users are asking for the same. There are like just a bunch features that would do the DT almost perfect. Some of them would require more effort from Elektron and others would be more âanti-workflowâ.
My favourites because they would be low-cost and easy to the workflow:
Some that may be difficult to do, but rewarding:
Iâd like the ability to make tea. Earl Grey preferably.
Oh and to dispense bourbons.
Slices or even ability to audition locked steps (for poor man slicing) would change my life so much.
Little bit of a workaround:
Work the other way around. Exit Grid recording mode, set the start point while pressing the trig so you hear the sound. Set the start point to where you want it to be. Enter Grid rec mode, enter the trig on the step you want and p-lock the start point.
Rince repeat.
Canât audition it afterwards, but for programming this is useful way of doing it.
Elektron should employ you mate you know youâre stuffâŚ
Thatâs how I do it for now, yeah.
Letâs have an audio control feature for lfo as a waveform. It could work on samples and midi cc. So if you have a kick come in and you want cutoff on a synthesizer to be inversely appearing with the kick, you could do that. Ie route track 1 audio to lfo control, or allow it to control midi cc or lfo targets directly
SLICES cut capabilities
Microtiming as an lfo destination. I would like a drifting start point on a short sampled sequence, I can get somewhere with infinite loop with a slightly longer/shorter length but its awkward.
yes thats what i want to be able to assign snippets of a sample from the record buffer
Cant go through the whole tread butâŚ
I would like that the Digitakt sequencer triggered the notes when you are turning the knobs to adjust them. That way you would hear what you are going for without pressing play all the time.
yeah, but major problem in live
After having used my Digitakt a while Iâve reconsidered the features I think are âmissingâ to make a great little sample playback and midi sequencer better.
Snap to zero crossing option for sample start, loop and length.
Function arrow up/down to transpose all trigs in semitones for both audio and midi tracks.
Have the stereo input go to the efx and compressor in stereo. (Monitor in mono without efx, come onâŚ)
Ok so make it a on/off setting then
Completely agree. Thatâs highly need. I only would add a BP filter, but itâs less important than your points.
And it would be enough for me having stereo monitoring without fx (but I love the fx idea!). But if I could at least use the compressor on it, then it would justify the Digitone purchase.
If this exists, please tell me I would like some sort of batch function for resetting patterns. I have destroyed too many patterns by saving without reseting the patterns after jamming. But for times I actually remember it would be great to have a âreset all patternsâ function.
Not sure if there is such a thing, but perhaps a work around would be not to save of your project at the end of the jam - on reboot, I imagine it would reset.
Alternatively, you could create a copy of the project with which to jam, although copying any interesting changes between the source and âjamâ project would be a faff.