Tom Oberheim is not happy.
Yep, sounds much better. I also think the “presenter” is much better, that might be the sole reason why it sounds better.
Jack is like the kid who skipped lessons at school to chase the girls.
The gliding low end chords + high notes at 9 ish minutes, a world of difference with the other demo
I’ve wanted to see a performance on the UB-Xa that needed polyphonic-aftertouch. Here’s the first i’ve seen.
It’s simple, the right hand is in unison, but the expression of both velocity and poly-aftertouch are apparent in this performance. You don’t have to listen to the end, there isn’t a large change to be seen using poly-aftertouch, but this performance would be entirely different without it.
This is a good instrument to be adding poly-aftertouch to. I think Behringer will be including it on all their large keyboard synths in the future.