Haha! Now that’s a shed I’d like to see.
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I was in the second row right in the centre for the first show, and the sound was amazing. Not muddy at all, I could hear every detail and it was shaking my bones. It did sound like a war zone though, or maybe exploring a constantly shifting, living alien machine that wanted to grind you into mincemeat.
I might have overdone the homemade edibles before the show though.
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Yeah I was going to say very similar things but was too scared of getting flagged 
I really liked about a third of it, didn’t like some of it very much. It felt like it was over too soon though.
I think I might have preferred the second one too.
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Is that a bootleg someone recorded on a phone/device?
Unfortunately i missed Autechre’s show a few years ago. Never saw them live and can’t really imagine what it’s like. Sitting down listening to them sounds weird to me. But on the other side the later stuff isn’t really danceable either. Either way it’s probably a very special experience.
best thing about sitting in darkness with intense rhythm and frequencies pummelling your body is the total loss of depth perception and spacial awareness. causes some interesting brain tricks.
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I have to admit I prefer standing up to see them. I liked the Barbican show a lot and it was cool getting to feel all the low end through the seats but I wanted to move around a bit.
Even though it’s not particularly “danceable” music, I still want to dance (shuffle around like a knob) to it.
Plus, I really liked standing up trying to work out whether people were facing me or if they had their back to me.
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When I saw them at Zoo in Manchester I was working my way through the crowd with three pints when they started the set and all the lights went off. I’d lost all pints by the time I’d managed to get to safety 
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I imagine, and not the best…
The location shouldn’t be great either.
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One Two
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big moment, their “scratch” module is quite something
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Are these all fan made stuff recorded in the room? Cause they sound a bit shit and roomy to me.
I believe so, yes.
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Crossing, getting on stage, getting wired to the phones output, it’s not easy without getting caught.
It’s usually a place a little on the side with a recorder in a shirt pocket, under a cap or in a bag of crisps. 
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Killamixmaster Sean!
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In a bag of crisps 
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For the drive effect.
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Extra crunch
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For a salty and spicy sound.
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