I have that pack. Sort of helpful. I found using two low pass filters with heavy use of the envelopes and resonance helps. You’ll need to adjust the slide “to taste” in the 2nd page of oscillator 2. Programming accents and slides are explained in the manual.
Also make sure trig length set to 1/16ths
Everything else is in the sequencer. Accents, slides
Worth noting with the 303 that if two notes are more than 1/16th apart it kind of auto legatos the preceding note to get the slide. No real way to fully emulate this on the A4
Try these settings on the synth pages:
(if no indication, parameters are as per the default patch)
OSC1:
TUN -24
WAV TRI
OSC2: LEV OFF
FILTERS:
FRQ 6 RES 44 OVR +20 TRK 0 DEP +25
FRQ 9 RES 35 TYP PK TRK +23 DEP 0
AMP:
ATK 0 DEC 37 SUS 100 REL 8 SHP 2
The trick is as well using Note Slide and Accent, and of course playing with the filter resonance and frequency (preferably on the Peak filter) and the Amp page (especially SUS and DEC) for shorter punchy notes.
This settings (in particular the longish decay time, and the portamento in fact slide time under osc 2 p2) were the cherry on the cake to really makes things happen doing acid bass with the A4…
They works wonder also playing with the note length from 1/16th to even 4…
First try jamming and noodling around to give an idea of what you can get.
Part of the magic is the Zen delay which add the grit and the weirdness.
It makes a good four years that I wanted to achieve “that” sound with the A4… I was almost going to buy a TD3 but the A4 will do and much much better after owning a bit more skills.
Got to get your param right
Thanks sounds real good on the demo.
If it’s not much too ask, what are the key settings param to punch in to get it?
My love affair with sysex is rather limited