Analog Rytm Video Thread

I think noone would have a problem with you uploading audio. A lot of people (including myself) are just looking out for real life examples with the AR. :)[/quote]
+1

Do not restrain yourself by all means… Just shoot audio at us! :wink:

Although I don’t find the media part of the board very practical. I just found there was a “like” button for the audio/video posted, but you have to click-load click-load click-load thru the media link… There must be another easy way…

I’m open to every kind of musical demos. ^^

If someone made an “oldschool lo-fi acidish electro” with the analogs, I would probably play loop mode and explode his/her view rate on Youtube!.. Just sayin’… :stuck_out_tongue:

Never though I’d hear the words dub and industrial in the same sentence. :wink: we live and learn.

Never though I’d hear the words dub and industrial in the same sentence. :wink: we live and learn. [/quote]
Never heard any early KMFDM then? :slight_smile:

Never though I’d hear the words dub and industrial in the same sentence. :wink: we live and learn. [/quote]
Never heard any early KMFDM then? :)[/quote]
KMFDM and dubstep used in the same sentence? I am offended sir. Industrial works fine. :slight_smile:

Never though I’d hear the words dub and industrial in the same sentence. :wink: we live and learn. [/quote]
Never heard any early KMFDM then? :)[/quote]
KMFDM and dubstep used in the same sentence? I am offended sir. Industrial works fine. :)[/quote]
To be fair he said “dub” not dubstep. :slight_smile:

Also which industrial? The real stuff from the 80s & 90s or the unoriginal pseudo trance with a cliché vocal style that passes these days?

Sorry for Off Topic but CNR:

Not every band in the 80s that banged on some oilcans while shooting H should be considered “Industrial”. The same goes for every band that later sampled those oilcans, added some biker-rock guitar riffs and machine gun beats to sell more records.

Yes, KMFDM were one of the originators of industrial rock but from their very beginnings and had nothing to do with the origins of Industrial itself, namely Throbbing Gristle and Industrial Records.

Ad dubstep: as the majority of people using the term “dubstep” for something I would prefer the label “brostep” for, you will not find any dub in that kind of “dubstep”.

And I don’t know what “pseudo trance” is, as trance by itself was a kind of “pseudo-techno” movement in itself.

Yes, all those labels-discussions are tiring anyway. As I think one should respect history I always find it more useful to talk about individual bands and records, as a label doesn’t say a lot about the quality or the content of music.

So again: scorn, techno animal = benchmarks when it comes to industrial and dub. And they did it right. Check them out!

^ fav+ post

Kevin Martin (techno animal) went on to become a benchmark in dubstep too as the bug… involved in so many amazing projects…

Well, the bug started out way before his music could be labeled “dubstep” and was then much more influenced by dancehall than strictly dub.

Anyway, highly recommended, yes!

Never though I’d hear the words dub and industrial in the same sentence. :wink: we live and learn. [/quote]
Never heard any early KMFDM then? :)[/quote]
KMFDM and dubstep used in the same sentence? I am offended sir. Industrial works fine. :)[/quote]
To be fair he said “dub” not dubstep. :slight_smile:

Also which industrial? The real stuff from the 80s & 90s or the unoriginal pseudo trance with a cliché vocal style that passes these days?[/quote]
I thought I saw dubstep. I love dub though and dub and industrial can mesh very well as Godflesh has already proven :slight_smile:

eh? when I hear the term “dub” I am thinking king tubby, lee scratch perry, etc…

Never though I’d hear the words dub and industrial in the same sentence. :wink: we live and learn. [/quote]
Never heard any early KMFDM then? :)[/quote]
Wasn’t saying its not possible to blend styles of music… Keen on hearing it mate.

https://www.youtube.com/channel/UCL_KhxnQFC3mrHdBGaVllJw / Klon

me too… i can never understand people calling dubstep dub…

Watching Cuckoo’s video (thanks Cuckoo!) and others here, I’m struck by how much I love the basses that come out of the AR. I actually like them a bit better than the A4 :astonished:

Maybe it’s because I’m a real sucker for sh-101 type single oscillator basses, but the AR oscillators just seem to have so much more beef in the lower registers, producing many ‘production ready’ bass sounds with a minimum of effort…

Getting confusing this now. (edit -If you mean me) It was a tongue in cheek remark about dub(step) and industrial being mentioned in the same context. :+1:
Dub influenced dubstep (via garage), then it went off in various directions so I guess people call it what they see fit… Now all kinds of new generations of dub(step) heads are into dubby house/techno because of that influence too, some of them where maybe never aware of proper dub. Used to go to a night in Leeds (subdub/exodus) that played reggae/dancehall (purest) dub and moved on too dubstep in various forms… There really are few genuinely “purest” styles of electronic music these days. I think that’s a good thing. :slight_smile:
Back on track… RYTM turning up today. Will try and post some italo future garage. :smiley:

Edit - Meanwhile here’s Some tasty dub(step)

Has to be one of the worse AR vidoes Ive seen so far. Not sure how he managed to make it sound so bad compared to other people.
Does anyone else feel the same given the other videos?
I even had a thought running through my head that he was paid by DSI :slight_smile: [/quote]
Yes its a big achievement making the tempest sound better than the AR :slight_smile:
It seems the AR is all mono and lower in volume making it sound less good. I could give him an example of an AR beat, he can try to do something remotely as good as that on the tempest.

me too… i can never understand people calling dubstep dub… [/quote]
KMFDM used to do a lot of this kind of thing back in the day…

Agreed, back in the day around where I was (Dublin, Ireland) Front 242 was industrial, TG was industrial, Ministry was industrial, Nitzer Ebb was industrial, Einsturzende Neubauten was industrial… the extra labels such as EBM and so on seemed to get made up by journalists who couldn’t get with the idea that there were so many bands with so many disparate styles all being dug by people in one “scene”. When people start splitting hairs about genres I like to start talking about the differences between “country” & “western” :stuck_out_tongue:

Yeah totally! It’s a drum’n bass machine!