I’ve been trying to use both more effectively & with more control, couldn’t wrap my head around it til just now, I think. Wanted to utilize more melody and different chord settings without the track going all schizophrenic hurrdy gurdy man on me. Started advancing the melody on unison and keep the knob simple on inversions. Not bad, works. Putting the LFO on, it’s not locked to the clock, of course. But a slow square wave, sweep set crispy with Reset on and adjust the Start Phase to taste… So much more control over the feel of the Chord in the sequence, probably common knowledge but I feel like I got a weapons upgrade
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Sounds interesting. How about an audio or video snippet?
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