Pretty much echoing what’s been said: I think Hollow would work best for promotion and the like. Although it sounds pretty dramatic and clubby, if you want to showcase somthing lighter (?), I’d probably pick Haste.
Thanks! It’s starting to be clear pattern. Hollow is in the lead.
It’s strange that when it’s your own material you can’t see as clearly.
You would think you could easily choose the “best” one, but it takes input from others. Even if you are true to your art, I think this is still the case.
Also if someone’s thinks all these tracks are “bad”, I’d welcome that feedback too.
…uncommon combo…that straight forward four to the floor electronic classic arrangements that are mocking traditional songstructures to carry out the female voice up front, performing pop chucks somehow…
on paper “haste” has the biggest pop appeal…also the vox treatments here, with those further addlibs, fx shadowing and backing lines show the most pop attitude…in production, arrangement and writing…
overall, this could happen a lot more also with the others…these vocals are often left alone to much on their own…further vocal production would do a great job on this song basic material…since all this is kind of midatlantic, with pop appeal hand in hand with subcultural rooted electronic basements, i’d say…dare to be pop for real…
give those lead lines more sugar treatment productionwise…
be warned…these tracks are too long for “mainstream” streaming days…
and even if u guys might not see it, but there’s plenty of room to skip, to slim out the arrangements, still telling everything u gotto to tell, once cutted down to roundabout 3 minutes max…
from where it’s at, i’d also pick “hollow”…but “haste” has quite some “britney” factor…
and that’s by no mean a rant…it’s a compliment…
and mayyyybeee, u wanna try out some drum replacements…to discover some more groove options beyond the simplicity of quarter stompin’…