Yeah, but I always wished that they would have smashed a RYTM into a Cycles… or something half full ish. Which makes ST a sort of strange synful dream come true.
These machines change with future up dates. Just find a time machine and go a few years into the future. You will have to remember the prime directive, or Hitler becomes president.
Or, you could buy the Syntakt and learn it backward and forwards. Overcome the limitations with practice and ingenuity.
Yeah, for me, all these missing things are why the Digi series and maybe the ST feel like grooveboxes or instant gratification synths, whereas A4 or OT feel like real instruments, which is a huge difference. More complex and more enjoyable in the end.
But if you’re considering A4 vs ST, you might also consider the opposite: ST can retrig, do some AFX bus wonder, go nuts on the digital synthesis, from wavetables to FM, and the analog part is pretty wild.
In fact, I think it’d be wiser to play the both of them than to oppose them ^^
I’m really more interested in making self-contained projects, or two boxes at the max. More channels is better. Because I play keys and sing. So one device besides that is all I can manage. I’m not one to man a case of synths or mix and match except when adding extra touches in a DAW.
A4 is way more experimental. You can do crazy stuff with neighbour oscillators. The Syntakt feels geared at someone who doesn’t want to do that much sound design. Their target audiences feel like polar opposites.
with a Retrkits RK002 smart midi cable you could have x8 note polyphony on the Syntakt digital parts if needed and x3 note with the analog Dual VCO’s too