John Chowning

We had a good, solid talk with John Chowning, inventor of FM synthesis. Since its first musical use, FM has greatly expanded the musical possibilities of digital instruments. Its impact on every imaginable genre cannot be overstated, from contemporary classical music to dubstep. It was the synth sound of the 1980s, immortalized through the Yamaha DX7. John, however, does not refer to it as an invention. According to him, FM is a gift of nature that was just waiting to be discovered. [Read the Talk with John Chowning here](https://www.elektronauts.com/talk/120)
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this is a great interview. deep and informative.

Great Talk awesome. Thanks!

That is nice.

Here’s my copy of FM Theory & Applications. It’s in excellent condition; the binding feels like it’s new.


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Very cool.

Say, that shade of green looks familiar. I wonder if…

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Absolute legend.
A god among mere men

Awesome

Bargain :joy::scream::moneybag:

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Don’t buy used books from Amazon or eBay. Use more specialized book seller websites instead. For example: https://www.abebooks.com/servlet/SearchResults?an=Chowning&tn=Fm+theory

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Wow, what a legend!!

This interview is very interesting, I like that it gives leads to explore FM synthesis, such as deciding ratios and explore from there.
I don’t really get what Chowning means with synthesizing female voice and especially the part about resonances, would someone care to explain ?

Reading https://en.wikipedia.org/wiki/Vocal_resonation and https://en.wikipedia.org/wiki/Formant might help.

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Thx mate :slight_smile: Seems you help me with readings on a daily basis :smiley:

Just came across this video, while trying to understand the article you mentioned…

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nice that alvin pops up here.

I am so excited to discover such people’s work (and lately I have felt like I have a better measure how ignorant I am :wink: )

Until one month ago I had never understood contemporary classical music or music concrete. Feels great to discover new sonic territories.

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John Chowning, from the interview:

…the fact that I had to sit and wait and think, and listen, and then think about what I heard, “what will be the next step?” greatly enhanced my ability in realizing the discovery … That’s my working process, even today. I do discrete experiments, then wait and think. It’s not that I don’t make use of the real-time controls, but it’s a practice that’s had huge pay-off over the years. So I think these were special circumstances that very much enhanced the likelihood of discovery.

In Chaos: Making a New Science, Mitchell Feigenbaum had nearly the exact same experience working with a shared mainframe computer that forced him to wait for the results. The thinking he did in the interim periods was an important part of the discovery process.

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