this is a great interview. deep and informative.
Great Talk awesome. Thanks!
That is nice.
Here’s my copy of FM Theory & Applications. It’s in excellent condition; the binding feels like it’s new.
Absolute legend.
A god among mere men
Awesome
Bargain
Don’t buy used books from Amazon or eBay. Use more specialized book seller websites instead. For example: https://www.abebooks.com/servlet/SearchResults?an=Chowning&tn=Fm+theory
Wow, what a legend!!
This interview is very interesting, I like that it gives leads to explore FM synthesis, such as deciding ratios and explore from there.
I don’t really get what Chowning means with synthesizing female voice and especially the part about resonances, would someone care to explain ?
Reading https://en.wikipedia.org/wiki/Vocal_resonation and https://en.wikipedia.org/wiki/Formant might help.
Thx mate Seems you help me with readings on a daily basis
Just came across this video, while trying to understand the article you mentioned…
nice that alvin pops up here.
I am so excited to discover such people’s work (and lately I have felt like I have a better measure how ignorant I am )
Until one month ago I had never understood contemporary classical music or music concrete. Feels great to discover new sonic territories.
John Chowning, from the interview:
…the fact that I had to sit and wait and think, and listen, and then think about what I heard, “what will be the next step?” greatly enhanced my ability in realizing the discovery … That’s my working process, even today. I do discrete experiments, then wait and think. It’s not that I don’t make use of the real-time controls, but it’s a practice that’s had huge pay-off over the years. So I think these were special circumstances that very much enhanced the likelihood of discovery.
In Chaos: Making a New Science, Mitchell Feigenbaum had nearly the exact same experience working with a shared mainframe computer that forced him to wait for the results. The thinking he did in the interim periods was an important part of the discovery process.