Controlling volume is an odd thing to deal with on an all digital synth. It’s one of the few things I’d list as a negative for the Argon8. When you are working with effects, you need to adjust patch gain, along with main volume, and some effects (chorus and rotary) lose a lot of signal. In my setup I had to use a mixer effect in my DAW to add some makeup gain, as 125% was not loud enough.
That said, the Argon8 does sound lovely when you can hear it clearly
As I’ve used it a lot at this point I can say that there are only a few things I would want to see improved, and as-is it’s a great synth.
It’s strongest feature is the high sound quality. It has many bells and whistles, but for me the real reason the Argon8 holds my attention is that it sounds great (to my ears).
It can certainly do percussive sounds, and there are a few patches to show that, but it really depends on your expectations. I plan to make percussion and sample it into my DT so I’ll know more as I get some first-hand experience.
I did end up returning my Argon8 (and writing a letter to Modal about how they might have told people about these plans before Argon8s started shipping; like I said, peeved. I love the synth, but really disliked that timing. Modal wrote back and thanked me for the candid response), but that was only so I could purchase an Argon8X when they become available.
I’ll be back to share and engage when I can play an Argon with that octave I was always reaching for and never finding on the 37-key edition. @Gino keep up the good work!
Thanks for taking the time to make this video. It’s interesting to hear when the sweet spots are being hit as I can also begin to hear some of it’s potential.
I believe it has 4 automation lanes, similar to the Minilogue. For example, tweaking the filter cutoff while the sequencer is recording, it will record that motion and replay it.