There appears to be no thread devoted specifically to the Moog trinity of Mother-32, Subharmonicon, and DFAM, though this trio appears in many of the threads for the individual instruments.
Some issues to discuss include:
What order do they go in the rack? (I think DFAM on top, then SH, then M-32 on the bottom, but I have all permutations in various videos and pictures.)
Cables. Stackable, best, etc. It seems 40 cm, or 1.5 feet is good to reach across the rack.
Patching tips – especially patches that cross instruments. (e.g., I like to plug a suboscilator from the SH into the Ext. Audio of the DFAM)
I have zero input in regards to actual usage. However, the Moog Trinity is my next major music gear purchase planned for later this or the following year. With that said, I will more than likely add another Mother-32 for a quad configuration since Moog offers a 4-tier rack stand.
I was just the opposite. I got an SH and loved it so much I got the other two. The SH really changed the way I interacted with instruments from mainly (or at least often) in the DAW to mainly turning knobs, and I find that more enjoyable.
Not long – just a few months, with travel in the middle. So I feel like I’m still learning the basics. Like I don’t know the M-32 and DFAM patch bays like I know the SH patch bay, since I’ve had the SH for over a year, and play it often.
I think my favorite aspect is that the three instruments are all very different, and each can offer that difference to the other instruments. Since I know the SH best, I feel like that’s at the center of most of my creations. I’ve used the M-32 to modulate the oscillators, and the DFAM to modulate SH filter with, e.g., velocity. Tricks like this really expand the pallet of the SH, I find. Without this, I found myself making the same (very nice, and fun to play) songs over and over on the SH.
How are you all dealing with power and audio out from x3? I think they sort this out if you buy all 3 together but nothing available separately, or have I got that wrong?
The Sound Studio comes with a power splitter and audio ‘mixer’ that can handle 3 instruments. Otherwise, you need to deal with three plugs.
I don’t use the audio mixer (just sums the audio, mixing is done by adjusting the volume of each instrument) but route audio through a Beebo, which can handle 4 ins. I usually send M-32 and SH through delay and reverb, but the DFAM is dry. I replaced my empty patch with this patch, so that I have something that works when the system is powered on.
oh shit. I had no idea they had x4 inputs. FFS. Now I want one of those… I’ll have to look into this. If you could route 2 from OT Cue into the Beebo and then out to a mono pedal and back into Beebo - I’m sold.
Hey! I am just getting started with it actually and have not dove into the fx section yet, but will keep you posted! I usually use an eventide space for reverbs, but due to limited desk space I plan to use the bb with this rig (candidly, I’m not looking for the bb to compete with the space, but at least be usable)
(Separately, I’ve been using the decay on the Moog modules to get a really cool “faux-reverb”)
The reverb is pretty nice! The original firmware had a lot of parameters, they’ve since condensed it to some presets with a few parameters to tweak (hi/lo cut, pre-delay, etc.). It can do long ambient soundscapes for sure the delay is simple but also pretty solid with a very useful bandpass filter.
Everything can be modulated by external MIDI, if you have have something like an Elektron box that can send MIDI LFOs then you can add a lot of movement.
the delay is simple but also pretty solid with a very useful bandpass filter.