Id love to support an Australian synth company. Especially if they can do a decent synth for a decent price (we get totally shafted on gear prices here)
However, Nina doesnt interest me at all. Maybe they’ll come up with something else? (Better looking too…)
Motorised knobs seem like a pretty good answer to the very vocal ‘endless encoders suck’ crowd.
I like my synths being ready to go when they change patches, not jumping values when I turn a filter knob for example. If you’re not willing to face the heat for putting endless encoders on, then motorised sounds great.
Motorized recallable and automatable control panel using long lasting zero wear encoders with the feel and precision of analog pots.
Variable shape triangle oscillators. Continuously morph wave-shape between triangle and sawtooth to find new timbres. Different to a traditional blend.
4 pole transistor ladder VCF with modulatable resonance.
Massive voice-level filter overdrive.
Digital Wavetable Oscillators.
Sampling capability.
Deep Modulation Matrix. Quick edit, all sources to all destination.
Patch morphing for complex expressive effects.
Stereo Infinite Panning effects with 4 Quadrant DCAs.
Onboard digital effects.
Multitimbral, layered, split, or overlapping.
Hackable open-source software control powered by Raspberry Pi 4. (I like that)
Makes a lot more sense than the CXM pedal with the flying faders. I can see the point in this if you have your own crafter presets and need easy recall.
Not sure. Mechanical spells faults to me. And shipping it back to Australia from the uk will cost a small fortune. Nice to see someone doing something different though.
Maybe not for you but it’s far from gimicky - loading a preset and having all of the knobs in the wrong position is far from an ideal design solution - and endless encoders lack a certain tactility, especially for things like a filter cutoff knob. Was glad to hear that these have a pot-feel.
Actually really interesting. As others have said I don’t think it’s gimicky- motorised faders have been a thing for ages. It solves a real problem problem with knobby synths- when you change patches the only way to show current values is with a screen or led ring like Nord. With electron etc they solve it with showing the 8 values at s time with multiple menus to see all values. Other synths you actually have to try to change a value to see what it is when you load a patch- not ideal.
Also the synth engine sounds good- each voice had an analogue oscillator, an FPGA digital oscillator and a wavetable oscillator. Plus analogue filters
And third good thing is morphing between two patches- this is kind of a killer feature- I think the polybrute does it, octatraxk has the cross-fade which is similar, gotharman synths do it. Not sure of any others in hardware.
Will probably be too expensive for me, but definitely seems cool.