I felt the same way about the mid EQ, but I’ve found a way to work them, and now I think they are awesome (atleast on channels 1-4).
The key, for me, is that they are to be used in conjunction with the Highs and Lows in the bell setting. The mid allows you to shape the bells. For example, if you want a big boost of air, but don’t want to add too much presence, make a big boost on High, and a slight cut on Mid. Using the MID eq in this way, the broad Q is actually a massive advantage and not a hindrance.