I want to get some really big super-saw style future-bass (please forgive me ) chords but stay away from the computer. I’m sure using some VST I could crank up the unison and have everything sound fine. But that’s just not how I roll.
So with my Prophet 6 I can sequence some chords from the OT. Unfortunately it takes two midi tracks because these soul-chords have 5+ notes in them - an extra step but still easy. It sounds good but not huge.
Set the pickup-machine to quantize recording to pattern length. And set the pattern length to 64. And make sure it’s set to overdub. Now I can record my chord progression over itself and over itself again while turning up the oscillator-slop on the P6 a little more each time. Boom. Instant huge sounding chord progression all OTB.
Besides fooling around this is the first time I’ve used a pickup machine to actually help my production technique / workflow.
Great to hear that this works, never considered to use the pick-up machines this way, maybe I will try now … like in the old days with overdubbing on tape machines
Don’t under-estimate manual sync Can be fun/fast using sequencers/loopers set at same bpm and just hitting rec/play I do it all the time now and get away with it most of the time adds a kind of spontaneity/looseness/organic feel to workflow and also the vibe/direction of tracks.
Edit - I’m very likely under-thinking this with OT tho I’ve barely used pickup machines yet so I’m not sure how easy it would be able to use them loosely (if at all) when OT is setup as slave with other gear or running OT sequencer tracks etc…
If the master tempo fed to OT isn’t rock solid, there’s the slight possibility of the dreaded Dub Aborted error halting a pickup machine recording … that’s why PUMs are only robust when the OT is set as Master sadly
RECORDING 1 SETUP 1
INAB = AB
INCD = -
RLEN = loop length
TRIG = ONE
SCR3 = T1
1 Rec trig on step 1, or a One Shot Rec.
Done. Play.
Instead of SRC3 = T1, you can use SRC3 = Cue and send T1 to Cue. With Cue you can record several tracks, it can be used instead of AB input too, sending a Thru track to Cue.