Thanks for all your post i close the subject regarding the digitakt sound,
cheers
Thanks for all your post i close the subject regarding the digitakt sound,
cheers
Itâs all about the skills. Both these units can have a âprofessional soundâ, whatever that means to you. Donât look for more gear, just practice.
ThĂ© diffĂ©rence in sound in a blind test wonât be noticeable if you play only the sample without any effect.
Sure the OT has stereo but thatâs the main difference.
On the ADC so if you sample, the DT is a bit better.
So donât expect to see a noticeable upgrade in playing or sampling mono sound.
Only useful if you need stereo sample.
There are a lot of topics covering many aspects of this ⊠a search is always recommended as per the guidelines
https://www.elektronauts.com/search?q=octatrack%20vs%20digitakt
âahh shit, here we go again.â
the gap is narrower between them now that th DT has a second LFO and overbridge is mature. the main thing the OT has going for it afaik is the scene fader, which is pretty powerful admittedly and i do wish i had it, but i also love my overbridge integration, which OT doesnt have. but the DT sounds fantastic, theereâs no reason you shouldnt be able to get a âprofessional soundâ out of it.
The Digitakt plays mono samples, all the stereo imaging you get from the DT is due to panning or FX. The Octatrack plays stereo samples so you get stereo imaging from the samples themselves as they were recorded, thatâs the main difference.
Comparing the quality of sounds from a YouTube video is meaningless, there is so much processing and data compression used by YT that you canât really know how a machine sounds without playing with it live, the fairest way to compare would be if you had access to both at the same time and played the same source material. The impression you have is probably more the difference in quality of the sounds being played in the videos you watched compared to the sounds you make on the DT.
The sound quality of both is excellent, they are professional products, not just hobbyist/prosumer, acclaimed artists use them as instruments so we can safely assume the quality is good.
I have an Octatrack and had a Digitakt for a long while, donât really notice any âqualityâ of sound either way being better, they might sound different but both sound âprofessionalâ, whatever you mean with that.
Get Stimmings mastering box if you want true Pro audio.
Plus stereo samples, track recorders, flex/pickup/thru/neighbour machines, streaming samples from the card, ability to use one âkitâ (part) across multiple patterns, individual effects per track, arpeggiator for external MIDI, etc etc.
Iâd take all of that over Overbridge and a slight high end boost to recorded samples any day.
Did somebody mentioned timestretch yet?
They both sound better then everything you can listen to on youtube or Spotify as long as you feed the machines with lossless samples.
No offense to the OP as im sure they have a legit question but does it feel like that sometimes this forum is getting trolled?
I mean itâs not like DT is just a slight high end boost + overbridge either, that is just what people always compare (raw sample playback) its filter, overdrive, delay, reverb are all a step up in quality imo (less options though). Larger chromatic pitch range is nice, midi that can overlap notes, midi program changes per step⊠not saying one is better than the other but they both have some nice unique qualities.
Honestly, and I donât mean to offend you with this, but you can solve this by simply learning more about mixing and the DT itself. The tool in this case is definitely not the cause.
yes
well im talkinjg about from the perspective of a studio instrument, with minimal hardware. overbridge gives me much more in that regard