it’s a mk2, that’s a clever idea, thanks! I’m still interested in hearing pure audio solutions though, the AR2 is not always the last device in the chain
the mixer is the one from the PA, which is in the back of the room, while the phone doing the streaming is on stage so i’d need to split before it goes into the PA
What distance are we talking here? If it’s only a few meters using a longer audio cable from the mixer to the stage shouldnt be a problem. But this way you can‘t adjust anything on the fly unless you have someone operating the mixer… would a small submixer be an option? Ideally one that also functions as a USB soundcard which you could hook up directly to your phone.
Definitely an option! Checked out the Mackie above here but that one doesn’t have USB. It would need to have a separate power coz it’s gonna be tough powering it from a phone
The venue doesn’t have a stagebox with sends and returns on stage? That’s usually standard, otherwise he would have to use long cables for your setup anyway and then a third one for AUX sends wouldn’t make any difference…
There is also this box: Palmer PLS-02 specifically for splitting balanced line signals (it also exists for mic and instrument level signals). Quite expensive, tough… (177 EUR on Thomann: Palmer PLS-02 Line Splitter – Thomann UK).
So i have a pretty dirty hack, sound quality isn’t optimal but good enough for now: Using a RockSmith Real Tone cable plugged into the headphone jack. It’s a USB to 1/4 Jack cable to be used with the game RockSmith (think Guitar Hero but on a real guitar) that’s basically a class compliant audio interface. Mono 16bit 480000Hz, not as good as the Stereo 32bit 48000Hz from the AR2’s USB interface but good enough since the extra detail gets compressed away over the stream anyway