Yes, that’s the end game.
I need one instrument with enough depth to allow me to design sounds, compose and write complete tracks. Doesn’t have to be sonically complete, but in terms of basic structure and sound, it needs to work on its own. I’m going through singular instruments for this purpose, and it’s time to try out the A4 now.
Then, I need a recording environment where I can add sonic depth, as well as creative variations - and bring this to stage. The OT is unmatched in this aspect, and I also know it quite well since before, so I’d be up and running with that in no time.
But I won’t get an OT until I have sufficient material to record and work with. Which I’ll have, once I settle for an instrument.
Ideally, I’d like the Analog Keys. I’m a keyboard player and I really write better tracks with a keyboard at hand. But I don’t have the space for it, so it’ll be the A4, hook it up to a keyboard every now and then for writing the basic structure, then editing the track on just the A4 and stuff away the keyboard. Then, record into OT for further depth. And then, to stage and studio.
I realise I’ve misjudged the A4 / AKeys. I’ve never liked the way it sounds. But when trying it out lately, I’ve wiped the kits and built sounds of my own, and then I just love it. So it’s just the presets I don’t much enjoy, not the fundamental sonic character of the synth. Man, I’ve been wrong. And I’m glad I was.
So I’m gonna wipe the A4, get that Next Level soundpack (cause that, I really like), do a few sounds of my own, and take it to town, just like grandpa did way back when.