drummer here.
i usually don’t care about tuning the drum sounds, but toms are the notable exception.
tom grooves work much better when toms are in scale.
another notable exception is 808 kick. sometimes you definitely don’t want it to be in dissonant interval to bass.
Oh man. Goosebumps again I had this album on play-repeat for some time.
Techniques schmechtiques Sam is great storyteller and never fails to bring emotions into his productions.
I really really don’t like modern drum and bass drums, where everyone seems to use the same 2-3 snares along with extremely de-emphasised percussion. Just punchy kick and punchy snare. Sometimes literally a 4x4 pattern but alternating kick and snare too.
The hell happened to those awesome syncopated drum beats and sampled breaks?
I see where you’re getting at. If you’re writing weird suspended and diminished chords, you might need a safe chord here and there. But yes, seventh is just a “bigger third”, definitely gets the same thing across if it’s all over.
Good one, nobody cared about this back in the day.
It’s overproduction, and it also goes hand in hand with the homogenisation of a lot of mainstream dance music.
I blame the audience on that one. I used to think it was just lazyness on the part of the producers, but Ive since spoken to someone who actually is a producer and DJ for a living. He’s told me he’s essentially forced to move with the genre, despite not liking its direction, because if he doesn’t he won’t get booked and he’s got bills to pay.
Overcompressed track using only amen breaks (Yes, also for melodic content unless it’s not arpeggio in pentatonic scale). Allowed fx: Shimmer reverb and stutter.