Thanks for your reply!
I found a solution to convert .ams in wav (just put the ams file in an audio track and then choose “consolidate”) but, the waves are like 48 semitones above the normal note, do you have a solution?
The max time is about 0.1 seconds in practice. After that, no amount of transposing will get you back to the original pitch. The longer you go beyond one cycle, the higher it will get transposed up when you play it back.
If you stitch a bunch of smaller waves together by LFO’ing through them, you get the “sampling upgrade”. With 0.1 seconds and 64 slots, you can get 6.4 seconds into the Mono, which is more than some of the vintage boxes (Casio RZ-1 for example had 0.8 seconds).
Thanks, I watched your very interesting video (and a few others ), but I’m not convinced of the result with a voice. I’d like to do it on drums, and I usually use Amen Break for tests.
I tried to do similar stuff with Blofeld’s wavetables, in order to modulate drums drastically.
No great results. Sold.
I don’t have a MnM, would love to experiment things like that with it.
I guess OT and MD are better for that purpose anyway.
Actually, they’re called “samples”. As in 44100 samples per second.
So a sampler samples sound as a sequences of samples. Sometimes said sequence of samples is also sighted as a “sample”. (Not to be confused with a sequencer sequencing samples.) Simple!
Maybe you heard it in Python? Pyaudio refers to audio buffers as CHUNK, that chunk of data is a number of sample cycles, for example 1024. @r1n9o, that’s right, they are called samples; “amplitude points” was a way of diferentiating them from the actual sound samples we are trying to divide in to wave slots