Does it have USB midi? For sync? That would Open things up even more
It has a menu option for usb midi but it doesnāt work yet. Most likely in a future update.
It ādoesā act as a host device for USB midi devices like the MIDIfighter twister for example
Yeah, I saw that. Thanx for that info. I had the DT for a minute and loved usb midi, even though i didnāt use it for midi sync. Would be fun to trigger Reaktor with just a USB cable.
USB Midi works just fine. It syncs and itās bi-directional so you can use it to both record and play back sequence data from a midi synth. It also responds to external CC through a learn function, but doesnāt allow for recorded automation yet.
Depends on your preference. The hardware interface, size and converters with the headroom, adds a tremendous lot to the experience.
Maybe? Depends on how you set it up. Your iPad canāt handle CV, have multiple outs, or take eurorack level in, probably thoughā¦
I mean, the iPad instead of something hardware-discussion can never be about features and functionality. Thatās never what itās about, no matter if you prefer screen before buttons. Primarily, an instrument is about your tactile experience with it. If you enjoy that experience, you will make great music with it.
Thereās an elegance and calm to an iPad screen, where you just move around your fingers like a taiji master to get things done. And thereās a carpenter-like quality to banging away on something more hardware.
Both have their place and if you enjoy the iPad, there are plenty great options to find a sampler experience on it.
Go for the Blackbox if you know youāre a hardware guy. If not, its set of feature wonāt talk you into becoming one.
With this said, this thing from Novation comes pretty close to the BBox if we talk the mix of straight on music making and features -
If Novation ever got into the sampler market, theyād make an impact, I believe.
I sent mine back.
It does some things good, but it lacks a lot of precision, customization and flexibility to me.
Also, in the end, the 2 FXs are not enough to me, especially that you canāt process external input.
Lastly, the granular engine is really poor.
Just orderedā¦an OT.
I think there are many valid criticisms that can be leveled at the Blackbox. When evaluated as a sampling workstation, featuring sequencing, effects and sampling & editing, thereās a lot thatās not fluent yet or plain missing.
I kind of had modest plans for it ā I figured Iād just play prepared stems and everything else is extra. With that approach, Iāve been very happy with the box. For a more flexible, well-rounded sampling toolkit, I think the Octratrack is spot on. What the Blackbox has over it is simplicity of operation and sample management. I think youāll be happy, in any case
The irony I was on the OT for years, and the Blackbox was what replaced it.
I miss the OTās capability as a live performance instrument, with scenes and stuff, and the options to build something with coherence over time. Longer tracks that blend into each other, complete set lists and stuff. I miss that so much, I eventually need to find something else that can do that for me.
But as for actually coming up with something that becomes a song, the Blackbox just triggered all the right points for me.
Wow, I never knew about that. Top tip & much cheaper than SampleRobot. Does it embed the metadata in the same way that SampleRobot does?
Thanks
Yeah, I was just looking in the wrong direction.
What Iām looking for is a companion for Ableton Live to make interesting and āplayableā transition between songs.
And also being a Mixer + FXs for the modular is a bonus.
All good! OT is an absolute beast. You will yell at clouds but itās worth it.
I like the BB because I can just get ideas in so fast and then sample into OT for destruction. But I have found myself using the OT by itself and having a blast.
Enjoy the OT!
I think BB and OT are so very different that they can compliment eachother very nice. OT is still IMHO unsurpassed as a creative mangler of samples, BB has a very different approach, where the focus appears to be on fast and simple with less bells and whistles, but still very capable, the assignable outputs make up for the lack of fx and processing as I can do it externally when needed.
Itās honestly been a while since Iāve used it but if I remember correctly you get options to make different file types, names, and other data with the files. It can automatically search for loop points in the audio as well. I would assume that requires adding some sort of meta data to the files to specify things like loop points and potentially things like key and velocity.
It was a full featured automatic multisampler when Apple bought the company.
Looks like it was Redmatica Auto Sampler
Hereās the SOS article
https://www.soundonsound.com/techniques/auto-sample-your-synths-mainstage
Hi everyone!
Iām very new here, both to the forums and music production, though Iām 28. Iāve been strumming guitar for years before some weeks ago I decided I wanted to do something more. So I bought an OP-Z on a whim and having a blast with it. My skills are extremely lacking, as is my music theory knowledge, but Iām loving it
But the music I love, and that Iād love to make is ambient/dub techno, for which OP-Zās sounds are kinda limited. So I started looking for a small, portable device to use with it, and came across this. It seems itās very powerful, and I could use samples for pads and leads to get the sounds I want, would it be a good choice? Would it be difficult to sync the two devices to maybe use the OP-Z for the drums and some sounds and all the sample and granular goodness of the BB for the more complex, athmospheric sounds?
Iāve been looking at the DT as well, but mono samples and the size are a bit of a dealbreaker.
Thanks in advance
In or around the BB price, you should check out A4 Mk 1 second hand in my view - love the BB but the elektron sequencer is superb and tactile, and the reverb, delay and synthesis options on the A4 might fit exactly what you are looking for. Not just because you are on an elektron forum, but A4 has a lot to offer.
BB has reverb, but is moreso decent that vast, which is what the A4 has. BBās delay is functional but the A4s is a lot better. Unless you want to rely on having the right samples, A4 gives you a very broad synthesis palette with p-locking for that dub techno vibe and lots of glitchy variety from step to step flowing into the top notch effects.
( MnM or MD or OT: ambient/dub techno beasts. but a bit more pricey )
While I appreciate your input and you taking time to answer, huge devices with dozens of buttons and knobs are kinda what I wanted to avoid. Iām a total newbie and I know myself, Iām afraid I would be overwhelmed. I also have very little space for gear, the BB would be perfect and itād run off a power bank. Digitakt would be as far as I could/would go with size.
Again, I thank you for your advice, as youāre surely more expert and knowledgeable than me, but Iām trying to work with my limitations
EDIT: Also, basically unlimited storage on the BB makes it incredibly appealing, if you donāt go crazy with multisampling even 32gb can be a lot
I was even thinking, would adding a reverb pedal to the mix help? Even if just for resampling?
I donāt want to sound stubborn and ask for advice only to ignore it, Iām just incredibly drawn to sampling and the possibilities with timestretching, granular, etc
Aaron just posted an update!
blackbox 1.4.0
In preparation for NAMM, we are pleased to make this new version available to you. Hereās whats new:
- Enhanced slicer mode with the ability to play into adjacent slices, quantize, choke, and sync with the master clock. One way to think of this is as random access clip mode.
- Grid based keyboard with scale control. Press KEYS a second time to see it.
- Alternative grid keyboard for slicer cells that lets you trigger slices more accurately
- Swipe to play adjacent keys in the original and new grid KEYS mode.
- The load screen now displays directories first followed by files
- You can now choose which MIDI note will trigger a pad on the MIDI pads channel
Bug fixes:
- The system would offer no warning when the micro SD card is running out of space. (You will see red text in the header when there is less than 256MB. Look for the available space on the Tools page.)
- When using the MIDI keys feature to route incoming notes to a specific cell, notes would hang if you switched cells while playing
- The file system could not handle directories with a period in the name
- When using the slice sequencer, the cell would not begin with the first slice after loading a preset.
The new slicer features make it very powerful. I had been hoping for a way to let you play through the rest of a sliced sample starting at the triggered slice, and now you can, and itās beat synced.