This is a long read into my own personal experience jumping head first into Elektron’s world again after a hiatus of nearly 4 years. I think it had a lot to do with my misunderstanding what an Elektron box (Digitakt, Analogs, OT, etc) actually is, and is not, during my first round with it. So, if you’re thinking of buying yourself an Elektron box this may help you with some upcoming frustrations, expectations, and perhaps even money. I am in no ways an expert in any of these boxes, and I’d say I’m at Grade 3 at my piano exam levels with them. I have an OT(Grade -9), DT, ARM2, Models C+S (Grade 3). An A4M2 is on its way and I’m more heavily invested in Elektron’s boxes now than any others except maybe Roland over the years.
Many of us coming from a world of Groovebox, Music Production Center and controllers, we come into Elektron’s world and completely misunderstand what their boxes actually are. I know I’m definitely one of them and for many years I regretted buying the Octatrack. I heard it’s powerful, a pain to learn but it could do all those wonderful stuff you hear on YouTube. The mistake I made was thinking I could apply what I am used to from the MPCs, and the MC’s and Maschines to Elektron’s boxes. Throw that idea out of your head right now. Can it do some of all the above? Yes it can, but not exactly how you’d imagine it to be.
The perfectly crafted sound and pinpoint programming saved to an SD card which I can recall at a whim. The multiple layers of effects and beat matched slicing on gorgeous multi-touch screens. Programming minutiae like the “sample tail” now included in MPC v2.10, endless VST plugins for every imaginable sound design, yet, I find myself preferring the head pounding frustration of learning how to use an Elektron box! If you’re intrigued and planning to sink yourself into Elektron, hear me out.
Current modern music making boxes mostly fall into these three categories:
- Groovebox/MPC : MPC One, MV-1, Circuit etc
- Controller: Ableton Push, Maschine Studio, Launchpad etc
- DAWless: Akai Force, MPC X etc
And the Elektron boxes? I think they are more like a music instrument along the lines of a piano, a cello or a guitar and not really like any of the above three paradigms. If we stop thinking of Elektron boxes specifically in that way, we open our minds to what it really is. It is a dichotomy that it is a music computer yet a musical instrument in the traditional sense. Maybe that’s why it is so hard to put them into a slot, and why it provokes such extremes: Love it, or hate it.
For example, each time you play a piece on a Digitakt, it has the nuanced difference as you would playing a piano piece. It’s never exactly how you programmed it because this is a mechanical musical instrument with a CPU, knobs and LFO replacing the hammer and string in a piano. If you shift away from thinking it should behave like a digital musical instrument solely, and play it like a piano, you’d be fine why it doesn’t have a song mode or why the pattern chaining can’t be saved. I was a feature requester asking for these, and mind you, I still want them and that’s why I like the ARM2 for it’s Song Mode. But the moment I programmed a Song with steps and mutes, and let it run, I had an a-ha moment and fully understood the huge difference in approaching Elektron boxes and the rest. In the ARM2, there’s the flexibility of the Performance, Fills and Mute buttons when you run it in Song Mode, so musically it can sound very organic already programmed with probabilities and conditions. But the real musicality of it comes from you playing the box by hitting the pads, twisting the knobs, switching patterns manually, and hear the sonic changes as you progress through the song with some guardrails in place returning easily to the saved patterns if you stray too far away.
The MPC with its beat matched clips and launch controls, assignable encoder knobs and X/Y pad can do the same too, but from my personal experience the guardrails are so perfect that I find it faultless to a fault. I can’t believe I am actually saying I prefer to hack a time-stretch for the sample on my Digitakt than just pressing a button like my MPC One allows me to!
Go watch on YouTube Ezbot, Ivar Tryti, Nick Cartwright where they do live jams on their boxes and you’d see they play it more like a musical instrument rather than a programmed sound spitting box. Before I get bashed by the MPCers (peace), I know you can do that too and this is by no means saying one is better than the other. I still have my MPC One and Force, and I will keep them for their way of approaching music making. But for many of us who are thinking of buying an Elektron box, I am suggesting not to compare it to a typical groovebox because you’d be upset why some of the features found in a MC101 or even an iOS app is not found on a Digitakt or the Analogs.
It comes back to this, reminding myself as a kid with my hated piano lessons. In fact, piano lessons was a lot easier! With any of these Elektron boxes (perhaps with an exception to the Models), it’s like going back to piano lessons but having to learn what an LFO does with what knobs to turn, and where to save the bloody kit, and what the hell is NEI? It takes a while to learn how to play the piano brilliantly, and that’s what the Elektron boxes are. I have been hearing my late piano teacher, Mr Ashcroft, repeating this after every lesson in my head: Practice makes perfect… And in place of Mr Ashcroft, the good people of this forum will be my teacher
My Elektron family, and a few friends.