Hi there. Is there somewhere on the wide internet a sheet of the Blofeld Wavetables visualized? I do not mean the names I mean the tables as graphics. Thanks
Great link! - another place you can see a lot (most even) of them is within the Nave app - you can rotate them and change the style too.
Yes I have listened to both playing the same notes sweeping the same wavetables - took a while to get them them modulating across the exact same waves - Nave sounds better! Blofeld has a big chunk of low end added and a gap in the upper mids if I recall - plus I think Nave was interpolating more smoothly
Lower Blofeld plays Atmos Patch F091"21 Flint"
This patch is not East Coast, as there is no filter involved. Rather, only sine waves with their amplitude and pitch modulated with modifiers, and well as Osc FM, that kicks in over time with another envelope.
Higher Blofeld play Atmos Patch H041 âFloydâ
The Vermona '14 is muted. but midi controls a 4 VCO M1 mode Vermona PerFOURmer.
Percussion is a Korg Monotribe as Bass Drum. sequenced via midi
via a Korg EA-1 Two Track Sequencer.
A Vermona Retroverb is playing random sines as sequenced by my DIY
Random CV (to filter) for the Retroverb.
I would say that naturally the Elektron samplers (Model:Samples, Digitakt, OT) best complement the Blofeld just because they have sample playback available. The Digitone and Digitakt are (I think?) identical sequencers in terms of functionality.
That would be an unusual feature for a synth, but Blofeld does a good job of trying to meet your needs.
While there are not direct CC messages for those specific parameters, there are CCs for all four envelope sustain levels and filter 1 and filter 2 envelope amounts.
There are also four general-purpose modulation sources named W, X, Y, and Z that can be assigned a CC number. Modulation amounts for the four modifiers (which are modulation sources) are modulation destinations. And envelope sustain levels (which of course are modulation sources) are modulation destinations.
Therefore you can use MIDI CCs to control some modulation amounts.
Someone said that even if you used all polyphony on a patch, you can replicate it in multi mode simultanuosly on multiple layers/ channels?
Is that right? To me that is crazy, impossible and great. Is it true fact?
Apologies if this is off-topic, but as this isnât something that typically comes up, I feel obliged to give an observation regarding Waldorfâs Iridium:
Every parameter on the machine (including those listed by @shinobi) can be added to a user-definable MIDI CC table that can be saved and recalled. This is true for params dictating algorithm configuration in the Kernels engine. Ie. You can modulate operator arrangement by CC, etc.