I tried multiple different email address, different browsers, made sure I had no adblock or anything running that could be interfering with the form etc etc. I assumed they would be busy, but it’d be nice just to get some confirmation I’m in the system somewhere.
After emailing the support@ address someone got back to me. It seems my tickets had been logged but confirmation emails just hadn’t gone out
@Lieder yes, I’m having two issues 1) there seems to be an issue with a couple of keys feeling loose and making a lot of noise when moving laterally and 2) I’m getting what sounds like distortion and/or bitcrushing intermittently when playing. Sometimes immediately on changing patch, sometimes after a few minutes, sometimes once in a few hours of playing, sometimes several times a minute.
Yesterday I tried to use the Osmose with the OB-6 (upgrading OB-6 firmware was tedious btw).
I can’t get long notes / pads, a pity…
Anyone tried this couple of beasts hooked together?
Thanks for sharing. I haven’t done a lot of digging but you are the first person I’ve seen with an issue. Hopefully it’s just a one off and they get you sorted out really quick.
I’d love to hear the progress and your opinions with their overall support if you are willing to share.
Cheers
I need to check, but I guess it was working alright. In my case, I was using Osmose USB —> Ableton —> OB-66.
(but one thing bothers me a lot with the OB-6 and MPE : the Pan Spread. Every note retains its position the stereo field, it’s not random at all, but apparently it sticks to the voice number. It’s horrible, unusable)
I imagine a lot of stuff with “mpe support”really only has haphazard mpe support and things like this are going to be turning up quite a bit now that a nice semi affordable mpe controller is gaining some popularity.
This is true even for synths like the Hydrasynth. Despite its convenient remapping from polyAT to MPE-Z when in MPE mode, you still may have to tweak the latter and also set up MPE-Y (a good starting point is whatever is set on the mwheel) in the mod matrix to make it play nicely with your specific MPE controller. Not a lot of work for a single patch but it does add up if you want this for every patch.
On the left side, select C3 to go to the Control 3 page, then check the settings under Midi I/O to make sure the X Bend Range makes sense (I suggest 48), Y = MPE, Z = MPE, and Note Processing = Dynamic Velocity.
You can also glance at Polyphony in the center of the Control 1 page to verify the setting is sensible.
Actually I haven’t found many settings on the Osmose. I’ve just switched to MIDI controller mode/MPE, in which case I had to turn the volume down cause the Osmose default patch was still playing, awkwardly.
I haven’t seen anything about configuring the gate signal. Haven’t launched the Haken Editor yet.