I dunno if you’ve seen my past posts…im caught in a spot where, I am probably the unluckiest when it comes to gear [get lots of faulty shit]. couple that with…not being terribly proficient musically. those two factors, and you get a lot of self doubt and stupid ass questions.
trying my best to learn, even at my ripe old age. thanks again for helping.
Hi Phaelam I listened to the audio now and it is indeed what i thought it is; it is not S&H, but a triangle with a different phase for each note. This is to be expected, your unit is fine It is just a little quirky thing how it works on the peak, but you can also take your advantage of it, see this video by Ricky Tinez:
Edit: oh you mean the power supply issue? Well I can imagine if you have a lot of issues with gear in the past that any new weird thing you encounter will make you doubt wether the gear is Ok or not. I hope you will love your Peak and regain some trust in gear
But I’ll say it one more time: after reinstalling the firmware, I did not have that issue anymore. I set LFO 1 to modulate pitch, and it was fine. No S&H effect.
Not sure if you don’t understand my point, or I don’t understand yours
Anyway, I think just rebooting the unit would also “fix” the “issue”, although it is not an “issue”, but expected behavior (although a bit weird at first)
another Peak question. start a patch from INIT…OSC 1 and VCA behave as expected. turn OSC 1 to 0 I get no sound.
somewhere along the way I do something where I turn all the OSC down to 0, yet I still here the OSCs. the only way to kill the sound is kill the VCA.
what im trying to figure out is what I did to bypass the OSC levels? I don’t know the right question to ask the internets. maybe someone can help. thanks
I DID set something in the mod matrix, but when I removed it…it remained?
gonna try that again
ya thats it. what do you do in that case. I set the first part back to DIRECT…but its still maintaining the value I set sound still passes thru. how does one correct that?
Oh, setting the depth to 0 in the mod matrix didn’t stop the sound?
Added: I keep my Peak set to the “catch” mode … the knob doesn’t change the parameter until you pass by the current value. It has it advantages & disadvantages of course
Maybe it’s the sound of the filter that you’re hearing? It’s not a thick liquidy Roland filter, it’s got quite a “dry” character to my ear. I’ve found that that disappears a bit if you’re in 12db mode rather than 24db. But there is definitely a sonic signature in the filter.
For me the raw oscillators themselves have plenty of weight, I don’t think there’s any “hollowness” there.
Nah, I know what you mean, thinking of a few patches I’ve made that have a kind of scooped midrange feel.
It’s got quite a lot of dynamic range though, have you maybe tried running it through a compressor to tighten the sound up a bit?
Re: pads, warm poly pads are absolutely available (though it took me a while to find any demos of stuff like that when I was looking at buying the Peak originally). 12db filter, saw waves with some detune/wobble. I’ll see if I can dig some examples out.
The VCA gain can throw you off at the beginning. The vca’s is analog, so that knob opens all vca’s.
To get a good “analog” tone out of the Peak i reccomend to never turn the oscillators up more than half way. Overdriving the filter input can often sound a bit harsh. So backing up on the levels can get a nicer tone.
Another thing i like to do to get some movement is to use LFO 2 in sample and hold mode, with slew turned up pretty high, and use it to detune one of the oscillators. Gets a nice randomness and movement. I prefer the 12 db filter, but both work.
Here is a test i did with some analog style pads. And poly aftertouch.
To get a good “analog” tone out of the Peak i reccomend to never turn the oscillators up more than half way. Overdriving the filter input can often sound a bit harsh. So backing up on the levels can get a nicer tone.
Thank you so much for this tip. You may have answered a question I was about to ask!