I have a pretty recent unit, I had a batch from the encoder issue, got another, sold it then got another at a better discount down the road. I find that the first time AT is implemented on a key, you have to get it down to 100% before it activates, like a break in period.
After that it’s pretty normal AT having owned a few Sequential/Moog keyboards, but I’ve never used a P6. I have the opposite of “heavy fingers”, I simply don’t play heavy and have smaller hands/thin guitar fingers lol. I find the AT to be perfectly fine for everything I’ve tried.
Sure, getting specific values is difficult but that’s on any AT I’ve tried. I find I can always work into CC ranges, say, 1-32, 32-64, etc… quite easily and give it a little wiggle from there.
I’ve played a Moog One and I mean wow, yes the difference is night and day but that’s a Moog One.
Novation has been making keyboards for decades and I have no problems at all with it. It’s very light to the touch and has a very synth-action feel, just what I want in a synth!
Everyone seems to want MPE in every keyboard that exists (I suppose MPE “enabled” is different), but where is it in even a single keyboard? It isn’t! We’re still waiting on the Osmose to be released.
I sent in a feature request yesterday to have attack/release settings for the animate buttons.
Couple it with an Expressive Touche and you pretty much have morphable patches and insane modulation control like the new Arturia MatrixBrute lol.
What do you mean, in multi-mode, are there separate instances of LFOs 3 and 4? If so, yes. Two entirely separate instances of the same system as far as I can tell.