Does anyone else have the thing where the LFO LEDs kind of glow bright/stop blinking in time while turning any of the pots? When turning either of the filter cutoffs, for example? It’s not a big problem, but seems weird.
My LFO leds are constantly blinking in time with their set frequency. Don’t get any kind of change in behaviour from turning knobs.
@gradient I’m glad to hear it’s worked out for you. FM is definitely a lot less about chiseling away, and a lot more about meticulously planning things out. I find FM easier on the P12 because you get more direct control over the oscillator relations. I recommend setting up a template for it and messing around with that.
@circuitghost I am trying to find a post that I think was yours… a nice big MIDI keyboard you use to play your synth modules? If it was not you, my bad!
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That midi keyboard, IS AN ABSOLUTE UNIT.
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It’s quite lovely, isn’t it?
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It just looks so inviting!
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Oh wow! First Dave Smith / Sequential Midi Keyboard tribute edition? Looks really nice! Just missing the logo as on the prophets 
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That’s a thing of beauty.
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It’s by Extra Deluxe if anyone was wondering:
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Thank you sir!
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Yep, and I can vouch for them @ExtraDeluxeMfg people - super friendly, very communicative and went the extra mile to ship this behemoth to Sweden, all the way from Brooklyn, NY.
Absolutely gorgeous my friend
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Thanks 
all credit goes to the artisans at Extra Deluge Mfg. The no nonsense beauty of this board is a timeless thing.
Freudian slip 
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I am assuming the pro grade keybed they refer to is a Fatar?
Yep. Same as in Prophet 6, I think.
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If you’re still on the fence, this one’s all Prophet 12, through the Blackbox sampler with some field recordings to boost -
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Very nice! Like the continuous pad on the background a lot, very tape-like glitchy sound. Well done!
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You keep pulling me back in, dude! Thought I was over the P12 GAS phase but I suppose GAS is eternal. Still looking for a P6 primarily tho.
The track is very nice! The sound that is almost like a kick around the 2:30 mark - that’s a field recording? For me it’s things like that (using field recordings as rhythmic elements, for example) that make your music stand out and remain interesting through long-ish and fairly minimalistic tracks.
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