Lucky it wasn’t the 909 you were dissing
5 Likes
There’s always an exception to the rule.
2 Likes
Love Bosozoku style 
2 Likes
the only thing strange about stranger things remixes is that they keep coming out
I try to be tolerant and accepting, but that is one of the scenarios that would severely test my patience.
yeah but what if it’s a great kick, some wonderful chords, and great lyrics?
1 Like
Then they’d be doing it in an arena, not a coffee shop.
1 Like
My favorite funky 303 track
4 Likes
gotta start somewhere
I love binki and Dosh
1 Like
Gathering ideas for the next piece of music to work on:
- Must use arpeggio
- Arpeggio must be the Stranger Things arpeggio
- Arpeggio must be played on 303 or soundalike
- Squelching filter must be used
- Snare must be used
- Something bluegrass must be inc… oh wait, the comment was actually that it’s cool… oh good, the only bluegrass tune I know is “Red Haired Boy”
- Swing must be set to 55%
23 Likes
And your track must basically disappear every time the kick hits 
11 Likes
Where’s the reverb swells?
2 Likes
All of that + shimmer reverb. Oh and don’t forget some strange stereo image fuckery on your low end.
1 Like
I never liked the technique with the things all over the stuff. I end up flim-flamming the volume recoder to remediate the issue.
Personally I’m into Minimal wall of sound vibes
3 Likes
I’ve distilled the thread for those who don’t want to read the whole thing. What we want is simple: a dry arpeggio-less recording with no dynamics, filter sweeps, or any sort of repetition - made without analog or modular gear, of course.
9 Likes
Great summary. I would just like to add that I would not like any volume either.
5 Likes
Chorus the bass, lots of unnecessary panning, drops, crashes, autotuned vocals, some Alan Watts dialog, feels, chills, triad chords, sirens galore.
3 Likes
How about this for some perfect sample fodder for your 303 tracks:
Happy 303 post, everyone!
15 Likes
Needs 303 likes
2 Likes