modular robotic brrrt and other digestive noises.
I like to fiddle with vcv rack, but boy, some people could play pots, toasters and starter cables, no difference heard 
one pet peeve that I have been guilty of but refuse to do these days is the obligatory
âIâm sorry for the crap sound but hey listen to thisâ
âthis is nothing special, itâs not a song or anything I was just f*cking around, but hey listen to thisâ
but the worst of all is âhey check out my throw away beatsâ
now I understand why people get so annoyed at their time being wasted like that.
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âcheck this synth demoâ - recorded with mobile phone micâŚ
commenting on synth comparison - âonly listening to my phone speakers on a train right now, but I can tell synth B sounds a little warmer and less harshâ
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As a DJ back in the early 80âs this was the actual track i used to set up my sound system for every event i did. Your post made me laugh.
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If we were to take all the techniques in this thread out of music production, weâd just be left with a 440Hz sine wave.
My nomination is 440Hz sine waves.
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I like arpeggios for electro 
.
Donât, youâll have the 432 crowd out in a minute talking about cosmic gates and chakras.
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me too. thatâs why I called the ones I dislike stranger things arpeggios
1 Like
open invitation for nonsense acceptedâŚ
I always had a feeling songs in the key of C are likely to stimulate a bowel movement.
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I used to play stuff for people, not realising that the 60% of the song that was missing, was in my head, and they couldnât hear it. Oh, all those blank stares, searching their minds for the tiniest compliment. I miss them not.
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Seems that nobody actually likes music here
But iâll chip in, totally hate vocal chops turned into melodies.
Especially with glide.
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ha
Anything more is masturbatory musicianship.
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I can just never get normal (up, down, cycle) arps to not sound like a super boring easy solution.
I usually use two methods: 1. I play it by hand with an anchored note usually semi-randomly, or 2. I program it on the PC with my own tried and true ârandom algorithmâ - span chords at least two octaves, use only those notes (non-exhaustive), and three or more consecutive rising or falling patterns cannot exits.
Simple, but always my go to.
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Most important to write music that not nobody is liking this is the only way to be the coolest producer of this universe with quite snoby attitude and underproduced Roland Kick Drum, just a joke sorry!
I donât like techniques.
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Honestly, I recognise most techniques mentioned in this thread but donât handle many of them.
My technique? Press buttons and see what happens. One thingâs for sure: I know how to get an arpeggio running. 
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I donât have techniques.
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I find anything rhythmic or melodic extremely derivitive. My next release is a recording of Tibetan monks whispering into mountain orchids.
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Sounds a bit meh to me.