I feel like i really need to keep ignoring these pressers. The hype cycle is fun but spending less money and recording more should be my goal.
The acquisition cycle is not great for creativity.
I feel like i really need to keep ignoring these pressers. The hype cycle is fun but spending less money and recording more should be my goal.
The acquisition cycle is not great for creativity.
Yep, itās the only one of the clones that iāve ever been interested in.
Also interesting to note that this and the LinnDrum and DMX clones are the only
ones remaining to happen from the 2017 āleakā
Your actions contradict your statement.
I mean, thatās the train of thought.
āOh, cool!ā
ā¦
āshit, just use what you have and wait until the interest has died down and then maybe come back to it a year after launchā
Iām similarly āinterestedā in the PPG but the cycle of acquisition isnāt super healthy for my creativity.
Pink Floyd. Any other reason to care?
I look forward to seeing it.
āHeroesā, Hawkwind, Hankinson, Gong, The Who, and Roxy Music. If I had to choose a favorite synth, itās the VCS3. Itās the only analog synth that can still surprise me after all these decades.
Actually, Klaus Schulze, Throbbing Gristle, Tangerine Dream, Richard Pinhasā¦ there have been a lot of more famous synths, but looking back, itās hard not to think that the VCS3/Synthi A wasnāt one of the most influential.
Is that the synth on baba o riley?
Mid 90s Masami Akita / Merzbow of courseā¦
I strongly doubt Throbbing Gristle ever used oneā¦ Chris Carter was mostly into Roland and homebuilt stuff.
Ooops, i was wrong of courseā¦!
Thatās actually a Lowrey organ marimba sound on ārepeatā mode. The same organ was run through a VCS3 on āWonāt Get Fooled Againā.
Technically, I should have specified Chris Carter rather than TG, as the VCS3 was the first synth he ever owned, and his famous DIY synth was based on its design. He now owns a new Synthi A.
Yep, just realized shortly after posting that commentā¦ ;-o
Oh, and the only āproperā video by my old pals and former labelmates The Legendary Pink Dots features a Synthi A (for those that donāt know, itās the exact same synth as a VCS3, but housed in a suitcase)
Jarre still has six of 'em in a rack.
This synth is an experimental music legend.
My $599 is ready.
Notable users according to Wikipedia;
This is exactly it. The basic circuitry conists of three oscillators, filter, ring mod, a single envelope generator (albeit a weird one) and a (noisy) spring reverb, plus a couple of odd output filters, so nothing all that remarkable. A DK2 keybaord adds an oscillator.
However, that (in)famous patch matrix allows anything to be routed to anything else. Even itself. So you can plug the output of the filter back into the filters audio or mod input. Envelope Decay as a mod target is nice, as is reverb mix. The matrix is not buffered, so voltage amounts drop as pins are added to a row. This is more interesting than aggravating and though there are mods available that add buffers, I, like many others, prefer to leave it as is.
Significantly, every section has an output level control that can be overdriven. Some of the oscillator waves have shape controls. And the joystick. Hoo boy, that joystick!
Brian Eno was famously a proponent of dropping in a few random pins. You donāt REALLY need to understand whatās going on to explore sonic possibilities.
Thatās a great clip - Iāve never heard it. Thanks for linking it (Iām a Roxy fanatic and probably wouldnāt own a VCS3 now - or even be making music for that matter - had I not bought the first LP and For Your Pleasure so many decades ago).
Oddly, though Eno was known for helming the VCS3 during his Roxy tenure, it was Andy Mackay who initially brought it to the band.