Mid clock offset per channel. This would fix the over bridge issue too.
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Headphone volume control vs just master. This exists on the Model:Samples and would be nice to have!
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Definitely this. I donât care if the sample sounds terrible - that can be really awesome sometimes.
Also, slicing has been mentioned, but what would be really cool would be trigger presets, that could be assigned to each trig button in a mode similar to chromatic mode. If each trig preset could be assigned different sample, filter and amp params, and LFO settings, that would be insanely powerful. It would be awesome for making glitch and dubstep or neuro, where using small chops from a longer sample, with slightly different envelopes is really useful. Itâs currently possible to do this manually by programming parameter locks and copying trigs, but it can be a bit annoying, and you canât do live recording with it (especially unquantized recording, which Iâm loving on the digitakt).
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This one of 2 thing I dream for the DT: triggering start point from chromatic keyboard, or yeah, why not any other param.
The second this I want to see is a 3 band EQ / isolator for each track. Very useful for resampling.
Bonus feature : 12 bits sampling 
Have you tried Sound locks?
I know about sound locks, but you canât live-record them. If you could assign them to the chromatic keyboard, thatâd be killer.
Playability is the main thing.
It would be really helpful if the step length could be defined like they did it on the OP-Z. You hold the trigger and then just press another trigger that is the end of the step. Maybe you could also see some visual feedback of this f.e. the step length is shown in another color.
Thereâs already a use for pressing multiple trigs like that. If you hold one trigger, then press another, youâll be able to for example copy both trigs at the same time, or p-lock stuff on both trigs at the same time. I think if there was an option to toggle this on or off (to only p-lock 1 trig at a time), your suggestion sounds pretty nice.
It would make sense do this on the after pressing FUNC + PAGE. You could still just set the length as normal by tapping 1-16, or press two keys at the same time to set the start and end points, eg 4 and 6 Would play steps 4 5 and 6.
Doesnât FUNC+PAGE enter the pattern length menu? Or do you mean that when going to the pattern length menu, the trigs could act like on the OP-Z where the first trig press places a trig, and the 2nd trig press sets the length?
Sorry, I havenât used the OP-Z so iâm not familiar with how it does it exactly, so apologies if iâve misunderstood.
But yes, on the Pattern length menu. So pressing two trig keys at the same time would set start and end points.
So if you had a 16 STEPS set as the pattern length , then press 4 and 6, the pattern would play just trigs 4 5 6 4 5 6 4 5 6 ⌠so you would be playing/looping just 3 trigs within the pattern.
Ahh, I misunderstood. I was thinking about step length, not pattern length. I see what you mean; right now you can press a trig while on the pattern length menu to set the pattern length, but you canât set the patternâs start point. What youâd like is to press for example 4 and 6 to make the pattern loop over only 4, 5 and 6. Did I get that right?
edit: by step length, I mean trig length
Yes, exactly 
EDIT: I think I misunderstood the original suggestion. 
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Soooo⌠you can kind of already do this.
Take a sample (vocals work well), and set the start point at 60, playmode to loop, and the length really short (Around 1, but between 0.3 and 2, depending on the sample). Then set the LFO destination to sample start, low speed, ramp wave, Trigger mode, and depth to -32. Adjust the LFO speed to get the sample to play at about the original speed. Now if you go back to the SRC page, you can adjust the pitch freely, and the sample will pitch shift without changing tempo (or at least, not as much as it should - It slows down at low pitches, especially). If you mess with the Tune and the LFO speed/multiplier, then you can get a pretty good range of independent time stretching/pitch shifting.
(edit: it doesnât really work if the LFO is fast enough that the end marker moves ahead of the playhead⌠so it only really works well for pitching up/slowing down. Would be cool if there was a way to only move the start/end points on the next loop start)
Of course, there are heaps of artefacts, due to the sample loop points not cutting cleaningly. If youâre pitching low, you can remove some of them with the LPF. If you donât mind some lo-fi, itâs pretty useful. This leads to my next feature suggestion:
Loop point fade - itâd be awesome if it were possible for the loop modes to have adjustable loop cross-fading (fading out of the end of the current loop, and into the start of the next loop). This would deal with a lot of the artefacting, and make the DT a pretty awesome granular sampler.
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I already posted a separate thread for this, but since this is the Digitakt Feature Request ThreadâŚ
TRIG+YES to preview a p-locked trig.
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You can change the step (note) length on the trig page. Encoder C. 1=1/16.
sample interpolation should be optional when pitching samples
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Midi track ratcheting
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Yeah ability to Purge Unused samples please!! Itâs taking way to long to work out which samples I can rid of to free up enough space to continue
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